Scientific Investigation of Copies, Fakes and Forgeries

Foreword;Introduction; Examination: Microscopy, Radiography; Examination: Physical analytical techniques applied to authenticity;Methods of copying in 3 dimensions:Appropriate technology, Moulding,Pointing & Electroforming;Dating 1:Radiocarbon;Dating 2: TL and Dendrochronology; Metals: Compositional;Metals: Metalworking and coins;Ceramics and Faience;Glass and Enamels;Stone and Sculpture;Fine Art:Painting;Copying in 2 dimensions:Printing. Fine Art on Paper and Documents;A History of Patination on Bronze;Gold and Silver in Jewellery and Plate;Jewellery: Gems and Jade;Organics;Natural Materials:Ivory, Amber, and Wood;Organics: Synthetic Materials: Plastics and Textiles;Scientific Fraud and Charles Dawson;Conclusion: Problems of Conservation and Deceptive restoration;Glossary;Bibliography

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• Guias de arte, museus, locais históricos e galerias
• Museus e museologia

british;museum;authenticity;studies;neutron;activation;analysis;copper;alloy;Tamil Nadu;niece;Plaster Of Paris;Edward III;King Arthur's Round Table;Young Man;West Germany;La Niece;Deep Red;Van Meegeren;Copper Alloys;Physical Analytical Techniques;Grey Cast Iron;Radio Carbon;Baltic Amber;Mammoth Ivory;Cultured Pearls;Lead Isotope Data;AMS RC Date;Diamond Simulant;Piltdown Fraud;Synthetic Rubies;Hollow Glass Beads;TL Testing;Sussex Archaeological Society;Ceramic Body